Meet The Authors:
E.M. Beekman
Philip E. Duffy
Kathleen J.
Etter
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“I had other
presumptions once, but after a certain age and the cold logic of
bereavements, life does indeed seem a lesson in leaving and poetry
a better grade of litter.”
-E.M. Beekman
The Litter of Leaving: Collected Poems
By E.M. Beekman
ISBN 0-9629651-4-6
108 PAGES
$14.95
Reviews
Poems
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Poetry as Litter - A Writer’s
Legacy
In his new book of poetry, scholar
and prolific wordsmith, E.M. Beekman has determined that poetry
is appropriate clutter for a writer to leave as a legacy. He has
assembled a stunning collection of poems that largely chronicle
his life experience. The poems take the reader from Beekman’s
childhood in Nazi-occupied Holland to his sojourn with his abusive
father in Indonesia, through his adult life, his marriages, fatherhood,
and the challenges of academia in his adopted America.
Beekman’s poetry has been described
as “acerbic, disturbing, earthy, and bizarrely comic.”
In contrast, his poems also reflect his search for beauty and peace
in an unsettled, often cruel and disappointing world. Beekman regards
nature as the ultimate solace, “the one that gives and
the one that taketh away.” In his final chapter, “Nature
(Solace)” Beekman presents a lovely and tranquil series of
short poems that stand in sharp contrast to his sardonic accounts
of failed relationships, personal terrors, ludicrous contemporary
culture, and the disappointments of academic life. Beekman’s
intellectually sensuous poetry reflects a lifetime love affair with
language.
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Reviews
“Acerbic,
fierce, brilliant, and vulnerable by turns, The Litter
of Leaving turns out to be Monty Beekman’s Grand
Testament to a life lived in the shadow of the Nazi occupation
of his homeland and the subsequent struggle to survive by picking
through the vast rubbish of the Academy of Western civilization
and the compromised promises of his adopted America in the last
half of the twentieth century. What survives is an unabashed eroticism
and a faith in the healing properties of human love and kindness.
Not surprisingly, his totemic animals turn out to be the grizzled,
solitary bear, who ‘sniffs the air and woofs at nothing,’
and the Spermaceti whale, whose sonorous head, scarred and blackened,
somehow remains mercifully lit by song. Read him. His bitter songs
are like some strong herbal medicine and have the power to make
you see things as they are.”
— Paul Mariani, poet, critic, and biographer
Author of Thirty Days and God & the Imagination
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“I’ve been reading Monty
Beekman’s poems for thirty-three years. I find some of them
disturbing, some earthy, and some wonderfully and bizarrely comic
in their insights and observations of the frailties and foibles
of our own kind. His poetry is always smart, always erudite, and—uncommon
in contemporary poetry—always accessible. And besides that,
he has the eye of an etcher: unblinking, sharp, clean, and mordant.
This is why I read him and why I look forward to reading anything
new that comes from his pen.”
— Barry Moser, illustrator, author,
and book designer.
Known for his highly acclaimed editions of the King James
Bible, Alice’s Adventures in Wonderland,
The Divine Comedy of Dante, and Moby Dick. |
“E.M. Beekman’s magisterial
edition of the twelve volume Library of the Indies and
his definitive translations of the work of Rumphius are important
additions to the literature of our time in English . . . He has
written poetry for much of his life. The Litter of Leaving
brings us, in that poetry, another and more intimate aspect of his
work, his attention, his mind . . . and makes the whole of it available
to readers already indebted to him for his essays and translations.”
— W.S. Merwin, poet
Recipient of the Pulitzer Prize in poetry, the Bollingen Prize,
and the Tanning Prize for mastery in the art of poetry. |
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